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Different because the band was actually cool enough to change their style and try something new for a change. The 1997 follow-up to Load featuring "Fuel," "The Memory Remains," and "The Unforgiven II." They’d be wise to give both records a serious re-appraisal, however. Metallica has been consistently assaulted with harsh, negative reviews with labels like “Sell-out”, “Mainstream” and “Alternative”, following the release of Load and ReLoad. The same cannot be said for Load and Reload, on which the band tried their hand at several other genres. ReLoad debuted #1 on the Billboard 200, selling 417,000 copies in its first week. After that, however, it gets a bit muddled. No, these albums aren’t the classic thrash of Ride the Lightning or the complex prog-metal of … And Justice for All, but both feature some of the band’s most mature songwriting, and plenty of memorable hooks. Most songs were written in E-flat tuning, while “Bad Seed” had D-flat tuning and “Devil’s Dance” was tuned in D. Reload spawned one of Metallica’s most well-known songs, “Fuel”, and five other songs from the album have been played live: “The Memory Remains”, “Devil’s Dance”, “The Unforgiven II”, “Carpe Diem Baby”, and “Low Man’s Lyric”. In 1996, Metallica released Load, and the sequel (in name anyway) the following year, Reload. Metallica recorded so much material for Load -- their first album in five years -- that they had to leave many songs unfinished, otherwise they would have missed their deadline. For me, Reload is the one CD that got me hooked into Metallica. Still, on both of these albums, the good far outweighs the bad. “Wasting My Hate” doesn’t really go anywhere, and, despite being a huge hit, “Fuel” is just kind of dumb. The problem isn’t that the albums are bad, it’s how far they drifted from Metallica’s thrash roots. It’s a perfectly fine song, but it’s not exactly the kind of thing you headbang to. 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